A new module started>Experimentation and Development.
Place>Performing Arts Forum.
Topic> Identity
this is about … the process.
A new module started>Experimentation and Development.
Place>Performing Arts Forum.
Topic> Identity
I created a new blog where you can find info and material concerning my first attempt in Practice as research.
http://sowspaces.blogs.lincoln.ac.uk/2013/08/02/comments-of-others/
NOTES by “Practice-led research, research-led practice in the creative arts”. Hazel Smith and Rger T. Dean
Graeme Sullivan
Cezanne: we live in a dynamic world where space, time and light could never be isolated or rendered motionless. The way light bends around forms, time varies with position, and space is neither flat nor far, give a sense of a world neing understood in all its complex simplicity.
Conventional pracice serve best as a basis of what not to do. (chapter 2)
“Let us go forth to study beautiful nature, let us try to free our minds form them (illustrious predecessors), let is strive to express ourseves according to our personal temperament. Time nad reflection, moreover, modify little by little our vision, and at last comrehension coms to us.” (Cezanne, in a letter to Emilie Bernard, 1905)
-Explore and explain complex theoretical issues.
-The process is clarified in retrospect as issues and ideas are revealed through the process of reflexive and reflective inquiry.
-Age of multimplicity, plurality and netwoks cultures (Taylor 2001)
-New knowledge is built on iterative practices that draw on what was known , even if the outcom is not.
Practice led research involves the identification of research questions, problems, but the research methods, contexts and outputs involve a focus on creative practice. This type of research aims, through creativity and practice, to illuminate or bring about anew knowledge and understanding. The result in output may not be text- based but rather a performance (music, dance, drama), design, film, or exhibition.
Practice led research meks good use of the creative and critical processs and provide novel perspectives in reviewing existing knowledge structures.
– Is the knowledge found in the art object or whether is it made in the mind of the viewer?
Browns: “symptoms of practice”.
Research process: working form the “unknown to the known”.
SCOPE of research practice.
-Framework of practice:
Central strand: Theoretical practices: Experiences, Transformations, Exhibitions.
Boarder areas: Conceptual practices> Excercises, Interactions, Designs.
Practices that make good use of “think in a medium”
Dialectical practices> |Encounters, Dialogues, Narratives.
Forms to explore the human process of making meaning through experiences> of art making process ot outcomes of encounters with artworks.
“Thinking in a language”
Contextual practices> Enactments, Debates, Texts
Practices that make use of cognitive processes thata re best describing “thinking in a setting” that makes use of visual texts, issues, debates, and desires that are local in focus but global in reach.
ACTION
DATA COLLECTION
PRACTICE as RESEARCH
First ooVoo meeting with Kate Sicchio.
1st July
NOTES
No mortal women on the earth at the time of Prometheus?
Who said that?
Who do you think saved Prometheus?
————————————————————————————————————————————-
“Oh, Prometheus, my brave, strong, powerful, rugged Man.. I come to liberate you…”
Mountain- Breast
Peak- Nipple
Eagle- Scissors
Fire- Water
Male- Female
Cut-Eat
…and where the last drop fell is where Prometheus pissed, free from any Strangulation.